Limited edition work
Available Work 06/02/2026
A sculptural exploration of light, geometry, and organic growth, built from 290 individually laser-cut and hand-painted wood elements. Inspired by phyllotaxis and natural growth patterns, the piece shifts with perspective and illumination, revealing layered depth, reflected color, and subtle atmospheric glow. At its center, a mirrored core invites the viewer into the work itself - a reminder that we are part of the same patterns and systems reflected throughout nature.
atershed began as an exploration of emotional terrain - the idea that we are shaped the same way landscapes are shaped. By pressure. By flow. By time.
Instead of drawing the figure first, I let the contours build the body naturally, like the form was being carved out through layers of experience. The result exists somewhere between a figure, a landscape, and an erosion map of the self.
This new version expands the original piece into a larger diptych across two 14" x 21" panels, allowing the composition more space to breathe and dissolve. The contrasting warm and cool palettes create a tension between different internal states - two emotional climates existing at once.
Built from layered laser-cut wood and hand-painted gradients, the piece continues my Topography of the Soul series: mapping the invisible ways experience changes us over time.
Everything's Fine explores the contrast between the version of ourselves we present to the world and the deeper internal landscapes underneath. Soft portraiture and flowing organic forms are framed by layered geometric structures, blending vulnerability with precision - emotion held inside architecture.
This piece continues my exploration of balancing opposites: softness and structure, intuition and control, organic movement and sharp geometric order. Built from layered laser-cut wood with hand-painted acrylic and oil details, the work combines sculptural depth with painterly atmosphere, inviting the viewer into a quieter, more reflective space beneath the surface.
This Phoenix uses a new technique, bending layered wood feathers to extend beyond the frame. The added dimension creates movement and visual tension
This piece started as an exploration of form and movement.
Not just physical movement - but internal movement.
The kind you can’t see, but you feel shifting underneath everything.
I began thinking of it like a kind of topography of the soul -
where the contours aren’t literal elevation, but emotional terrain.
Pressure, flow, resistance, release.
Instead of drawing the figure first, I let the “landscape” shape it.
Like the body is being revealed through layers of experience -
carved by time, movement, and whatever passes through us.
This version is an artist proof.
There are a few small imperfections from the process (shown in photos),
but the piece itself feels alive in a way I didn’t want to over-refine.
These early versions are often where the idea is the most honest.
Along with the main piece, I’m including the positive cut sculpture -
the form that was removed to create this one.
It’s the inverse, but it carries the same motion.
Two versions of the same moment -
one defined by what remains, the other by what was let go.
I’m going to make a series with different color palettes, but for now this one is available.
I’ve been exploring the woods with a sketchbook and camera, always looking for beautiful scenes to capture or little details record.
Then I try to funnel all of the experience into something completely new. This piece explores optical illusion/ fantastical floating forest vibes. This is the 4th version - now mounted with a painted background, more purples in the ground. It adds some deeper, more ethereal vibes and opens up the color palette in a way I really love. There’s more development to come. Selling this proof to support this artistic expedition and hopefully make someone very happy
The florescent paint really glows under blacklight or blue LED
This version of the owl leans into the natural warmth of the wood. Instead of paint, layers are built using custom mixed stains, allowing the grain to remain part of the composition. Each layer is stained separately so the tones shift subtly across the form, creating depth while keeping everything grounded in the material itself.
I also like how the owl almost disappears into the wood. The grain and geometry start to camouflage the figure, like it is emerging from the forest itself.
Owls have long been symbols of intuition and quiet awareness. A watcher in the dark, seeing what others might miss.
Starting as a simple pencil drawing, this anthropomorphic owl represents the duality between humans and nature; a spirit animal.
Laser cut paper between two sheets of acrylic glass.
11" x 9"
I built the stained oak frame and signed the back of the piece
On a some level, this piece is an homage to M.C. Escher - whose work I admire deeply. I’m happy with the balance of juxtapositions: bright neon with soft darkness, geometric with organic, and sculptural forms with realistic hands.
This piece explores the idea that the inner world and the outer world are mirrors of each other. The hands are a loose reference to Michelangelo's Creation of Adam, that charged moment where connection is almost made. Here, the gesture repeats itself above and below, suggesting that what we seek in the heavens is also formed within us.
It is a study of light, balance, and reflection. Fluorescent paint is used to create a soft glow, shifting with the environment and reinforcing the idea of energy moving between realms.
A reminder that reaching for the stars often begins with reaching inward.
Baltic Birch; Acrylic Paint
10” x 21” x 1”
“Explorare” Latin (v.) investigate, search, examine, explore
Special Edition with a florescent glow!
Layered Wood Sculpture
Birch; Acrylic Paint 16” x 20”
What we put into the world is reflected back to us.
One of a kind piece. Charcoal on wood, acrylic mirror, walnut frame.
I’m always pushing myself on this journey of life and mastering the craft. Proud of this one.
Just finished this one…
I don’t usually stand in a field with the artwork, but the lighting was just beautiful. Love this piece so much
After a severe loss, I created this piece to process grief. A meditation on change, acceptance, growth.
These pieces are built around a central flower that I painted by hand. I feel it anchors the layered geometry with a touch of the organic
Ethereal with a mirror!
(The mirror is pictured with a protective blue film here. Peals off easily)
A celebration of geometry and nature. I love painting the gradient background with little clouds.
This work was inspired by a Pinemoth (Coloradia Pandora) I found while camping at a yearly retreat with loved ones. Brought it back for an artist friend. We don't talk much anymore but still super grateful for the connection. The moths live in Ponderosa Pines as larvae then bury into the ground for a year. Was feeling transformation, gratitude, and love.
Subtractive Wood Sculpture; 6 layers; florescent acrylic paint, 22”x15”
I’ve been exploring the interesting effects of UV paint lately - using deep blues as shadows, reds as mid-tones etc. After a few color studies, felt inspired to paint one of my favorite portraits. rawr
A tribute to Oregon's majestic Mt. Hood, from the serene pine forests to the shimmering night sky, each detail is a testament to the Pacific Northwest's enchanting allure.
Lil artist’s study available. An exploration in perspective, combining 2D, 3D, and maybe 4D dimensions if you wait long enough.
8 layers, 8”x10”
A celebration of geometry and humanity’s connection to nature
Memory of a dream, inspired by Spencer’s Butte in Eugene OR
Email if you’re interested, takes at least a week to make.
This was originally a commission for Northwest Martial Arts. Each age group has a different animal representation. And for some reason, school of the raccoon was the most difficult portrait to complete. Many many iterations trying to find a balance between abstract representationalism and geometric form. Compromises were made. Grateful I got to learn some new Brazilian Jujitsu AND design skills!
Part of my Geometric Animal Portrait series
Fluorescent gradients interact with light to create a subtle internal glow, changing throughout the day and under blue light
Unicorns were believed to be real animals in ancient Greece
Early unicorns were described as fierce and untamable, not cute
Be the unicorn.
Check out the video in additional info
In the stillness of the forest, hiking in central Oregon, I came across a fox. We locked eyes for what seemed like a moment outside of time. Felt like equal parts acknowledgement and curiosity with a lil magic. This sculpture attempts to capture not the scene - but that overwhelming sense of wonder and awe.
On more recent travels I was able to pet the deer roaming around downtown Ashland, which inspired the additional artwork.
Finding harmony between vivid colors, perspective, and the sculptural elements was a fun and frustrating challenge. There’s definitely something here, and i’m excited to explore the work further - especially if it requires spending more time in nature
Only made four pieces this run - two foxes and two deer are ready to ship
After a severe loss, I created this piece to process grief. A meditation on change, acceptance, growth.
Woof relief sculpture, 12 layers; acrylic & oil paint; 24”x36”
This is the first time I used wood stain for the “frame.” Maybe it’s the summer heat, but I dig the warm tones here.
Love to paint these stylized portraits. Exploring the values, finding that level of softness in the brush work to balance the sharp geometric lines - always a fun technical exercise.
